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Prehistoric Malta artwork?
Find 3 different styles of art found from prehistoric Malta (sculptures, temples, figurines.)
Explain what the artworks are. Explore how and y sculptures and figurines were made in prehistoric malta.
Show u understand the meanings and messages in the artwork.
Anybody up for it?
Ive researched for DAYS but came up with nothing...
- Charles KLv 79 years agoFavorite Answer
Images of Prehistoric Malta artwork http://www.google.ca/search?hl=en&sugexp=frgbld&cp... ----------- The prehistoric temples of Malta are unique in all the world. They are the oldest standing stone structures which remain to us from ancient times. The temples date from 4000 - 2500 BC. They are older than Stonehenge, older than the Pyramids. Their architecture is beautiful and inspiring, their scale impressive yet human. Excellently preserved, they were covered with soil from early times and ignored by the long march of history. They were rediscovered and carefully restored by European and native Maltese archaeologists beginning in the 19th century. Because of their uniqueness and beauty, the major temple complexes are deservedly designated as UNESCO World Heritage Sites.
Little is known about the people who built these megalithic temples. The original inhabitants of the Maltese Islands probably crossed over by sea from Sicily, which lies 58 miles to the north, sometime before 5000 BC. The temple builders were farmers who grew cereals and raised domestic livestock. They worshipped a mother goddess whose type is known from early statuettes found scattered around the Mediterranean. Similar statues are also found on Malta, several being of uniquely large size. We know from physical evidence that worship in the Malta temples included animal sacrifice; beyond this, little is known about the rites and rituals that took place there. Although the temples are large in overall extent, the interior chambers do not have enough room to hold more than a few people at one time. Therefore public worship in large groups, as practiced in typical churches and temples today, would not have been possible. It is likely that the priests and priestesses carried out rites inside the temples, and the public was not invited.
The worship of a Mother Goddess is usually associated with female priestesses, although male figures which may represent priests have also been found. Did individual worshippers participate in ceremonies related to important events in their lives - birth, puberty, marriage, sickness, death? Did community leaders consult the temples about planting and sowing, community disputes, food stores, or new settlements? Were the temple leaders also the political rulers of the community? People are still searching for answers to questions such as these, for the first inhabitants
of Malta left no writing behind them when they vanished, as mysteriously as they had first appeared, sometime around 2500 BC.
The Maltese temples are constructed of stone, in a cloverleaf (trefoil) floor plan. Their typical architectural elements include the incomplete dome and the horizontal arch, or post-and-lintel trilithon. The curvatures of the temples perhaps elaborate the circular plan of ordinary dwellings of the time, but are also reminiscent of underground burial chambers.
The basic temple plan consists of a variable number of hemispheric chambers, or apses, branching off from a narrow entrance path. The apses are incomplete domes, built of ingeniously corbelled stone, broad at the base and curving in towards the top. However, a full dome could not be constructed using this technique; after the walls had been built up, the apse was roofed in animal hides which were suspended from timber poles. Pole-and-hide construction was also used for the doors.
At major sites, two or more temples would be built next to each other, the whole complex being encircled by a common outer wall. The size of the temples varies, but an apse might measure fifteen or so feet in diameter, with outer temple walls rising well over twice the height of a person. For example, the two-temple complex at Ggantija measures about 120 feet side-by-side; the major axis of the larger temple is about 90 feet. As one enters the temples and proceeds through a tall and narrow corridor to the smaller, enclosed apses, initial feelings of expansiveness and awe change to feelings of enclosure and intimacy. No doubt such a progression of feelings played an important part in the emotional experience of the people who worshipped here.
Due to the size and complexity of the temples, and the extensive resources which must have been required to build and maintain them, they must have played a very important part in the ongoing life of the community. Without more evidence, though, we can only wonder and admire, across the gap of millennia that separates us from the temple builders.
http://www.art-and-archaeology.com/malta/malta.htm... -------- Maltese Prehistoric Art 5000-2500 http://www.patrimonju.org/patrimonju/Gallery.aspx?... --------- Megalithic Temples of Malta http://en.wikipedia.org/wiki/Megalithic_Temples_of... -----
- Anonymous4 years ago
Prehistoric MaltaSource(s): https://shrinkurl.im/a0WA5
- weselyLv 44 years ago
on an analogous time as Stonehenge is exciting, there is a lot b.s. obtainable approximately it, you will finally end up sending maximum of a while analyzing stupid theories. One concern section this is below researched yet very exciting is using Mesopotamian symbols in Hellenistic and Roman artwork and shape. cities mutually with Palmyra, Petra, and Bosra mixed Greco-Roman varieties, yet included community symbolism and aesthetics, which made something completely unique yet undeniably eye-catching. this is in simple terms the 1st element that got here to recommendations. whilst uncertain, do the paper on some artwork that in simple terms seems stable to you. stable luck.