are there only 12 stories?
so in school in my senior year(high school) i was taught there are only 12 original stories(not litteraly but the plots and stuff like that). some say 13. and all the others stories are the same as those. can some one tell me what they are.(ythe answers are not titles books i know that much)and is it true.
- 1 decade agoFavorite Answer
The "Basic" Plots in Literature
Example Questions That Can Be Answered Using This FARQ
I’ve heard there are only 7 (or 5, 20, 36…) basic plots (or themes) in all of literature. What are they?
People often say that there are only a certain number of basic plots in all of literature, and that any story is really just a variation on these plots. Depending on how detailed they want to make a "basic" plot, different writers have offered a variety of solutions. Here are some of the ones we’ve found:
1 Plot | 3 Plots | 7 Plots | 20 Plots | 36 Plots
Attempts to find the number of basic plots in literature cannot be resolved any more tightly than to describe a single basic plot. Foster-Harris claims that all plots stem from conflict. He describes this in terms of what the main character feels: "I have an inner conflict of emotions, feelings.... What, in any case, can I do to resolve the inner problems?" (p. 30-31) This is in accord with the canonical view that the basic elements of plot revolve around a problem dealt with in sequence: "Exposition - Rising Action - Climax - Falling Action - Denouement". (Such description of plot can be found in many places, including: Holman, C. Hugh and William Harmon. A Handbook to Literature. 6th ed. New York: Macmillan Publishing Co, 1992.) Foster-Harris’ main argument is for 3 Plots (which are contained within this one), described below.
Foster-Harris. The Basic Patterns of Plot. Norman: University of Oklahoma Press, 1959. Foster-Harris contends that there are three basic patterns of plot (p. 66):
"’Type A, happy ending’"; Foster-Harris argues that the "Type A" pattern results when the central character (which he calls the "I-nitial" character) makes a sacrifice (a decision that seems logically "wrong") for the sake of another.
"’Type B, unhappy ending’"; this pattern follows when the "I-nitial" character does what seems logically "right" and thus fails to make the needed sacrifice.
"’Type C,’ the literary plot, in which, no matter whether we start from the happy or the unhappy fork, proceeding backwards we arrive inevitably at the question, where we stop to wail." This pattern requires more explanation (Foster-Harris devotes a chapter to the literary plot.) In short, the "literary plot" is one that does not hinge upon decision, but fate; in it, the critical event takes place at the beginning of the story rather than the end. What follows from that event is inevitable, often tragedy. (This in fact coincides with the classical Greek notion of tragedy, which is that such events are fated and inexorable.)
7 basic plots as remembered from second grade by IPL volunteer librarian Jessamyn West:
[wo]man vs. nature
[wo]man vs. man
[wo]man vs. the environment
[wo]man vs. machines/technology
[wo]man vs. the supernatural
[wo]man vs. self
[wo]man vs. god/religion
Tobias, Ronald B. 20 Master Plots. Cincinnati: Writer’s Digest Books, 1993. (ISBN 0-89879-595-8)
This book proposes twenty basic plots:
Polti, Georges. The Thirty-Six Dramatic Situations. trans. Lucille Ray.
Polti claims to be trying to reconstruct the 36 plots that Goethe alleges someone named [Carlo] Gozzi came up with. (In the following list, the words in parentheses are our annotations to try to explain some of the less helpful titles.):
Supplication (in which the Supplicant must beg something from Power in authority)
Crime Pursued by Vengeance
Vengeance taken for kindred upon kindred
Falling Prey to Cruelty of Misfortune
The Enigma (temptation or a riddle)
Enmity of Kinsmen
Rivalry of Kinsmen
Involuntary Crimes of Love (example: discovery that one has married one’s mother, sister, etc.)
Slaying of a Kinsman Unrecognized
Self-Sacrificing for an Ideal
Self-Sacrifice for Kindred
All Sacrificed for Passion
Necessity of Sacrificing Loved Ones
Rivalry of Superior and Inferior
Crimes of Love
Discovery of the Dishonor of a Loved One
Obstacles to Love
An Enemy Loved
Conflict with a God
Recovery of a Lost One
Loss of Loved Ones.
Hope this helps. Pax - CSource(s): http://www.ipl.org/div/farq/plotFARQ.html
- 6 years ago
very good exposition .. thank you
- kottwitzLv 43 years ago
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