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Tammy asked in 社會與文化語言 · 1 decade ago

有誰會翻譯以下文章 求英文強的人!

請幫我翻譯下面文章 用簡短易懂的字句 不要翻譯軟體!

"MacFlecknoe" traces its "hero"'s rise to stupidity in verse deliberately mimicking the style of and alluding to the Aeneid and other epics. Like the Odyssey, it starts in a kind of Olympus, only it's the realm of Nonsense, until recently ruled by Flecknoe. The dying king of dullness searches for a successor and, by virtue of his vices (as it were) MacFlecknoe (Shadwell) gets the nod. The rest of the poem develops by a pattern of mock praise of poetic vices wherein "success" is failure and the slightest deviation from the stultifying norm is a clear sign that somebody's got poetic talent.

"Annus Mirabilis" salutes London upon her survival of the plague and the Great Fire (in 1666), looking back to the Civil War as a fatal flirtation with factionalism and forward to a time of imperial dominion over "the British ocean" and the new colonies of India and the rest of Asia.

"An Essay of Dramatic Poesy" was written two years after the Restoration and the reopening of the theaters, trying to call the English to a new sense of poetic tradition that would take the best of the Elizabethan and Jacobean poets and infuse it with a sense of neoclassical balance, clarity, and profundity.

His critique of Bad poets begins with the Metaphysicals, which he defines by their most notorious example, John Cleveland. The exotic, Mannerist images with which Donne and Herbert populated their similes and metaphors could become enormously irritating and distracting when used by poets with less skill and less serious intention. The other sort of poets he condemns are the Dull, who affect classical balance to a fault, making the counting of syllables their primary occupation rather than the expression of noble sentiment. How does Dryden understand the "job" of being an Author and how does this affect the standards he applies to other poets in his criticism?

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  • 1 decade ago
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    這個英文蠻難的,我只翻到第三句就有些吃力了,因為沒有這方面專業的文學基礎,要翻得恰到好處或是貼切並不容易!

    "MacFlecknoe" traces its "hero"'s rise to stupidity in verse deliberately mimicking the style of and alluding to the Aeneid and other epics.

    "瘋狂的富雷克諾"承襲了"英雄"的章節,以模依也多少提到了「安尼得」以及其他史詩的風格,非常慎重地增加了不算聰明的詩句.

    註:"MacFlecknoe" 和 "hero"應該算是章節名稱或是書名

    Like the Odyssey, it starts in a kind of Olympus, only it's the realm of Nonsense, until recently ruled by Flecknoe.

    一種如奧林匹亞的起頭類型,就像奧德賽的史詩,部份胡謅的範圍,直到現在與富雷克諾才有所區隔.

    The dying king of dullness searches for a successor and, by virtue of his vices (as it were) MacFlecknoe (Shadwell) gets the nod.

    昏滯又垂死的國王正求著繼任者,至於,曾是副手的夏德威如今則被具有美德的富雷克諾所取代而得到了首肯.

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  • 1 decade ago

    MacFlecknoe" 追蹤它的 " 英雄”'s 故意地對在詩中的愚蠢上升模仿風格而且對 Virgil 作的敘事詩和其他的史詩暗示。 像奧德賽,它在一種奧林巴斯山中開始,不過它是無意義的事的範圍,直到最近被 Flecknoe 規定。 遲鈍的搜尋的垂死國王一位接班人和,由於他的惡習 (當它是之時) MacFlecknoe(Shadwell)得到點頭。 詩的其它部分根據 " 成功 " 是失敗和 sl 的詩惡習的一個假讚美的典型發展

    Source(s): 電腦
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  • 1 decade ago

    "MacFlecknoe" 追蹤它的"hero" 的上升對愚蠢在詩歌故意地仿造樣式和暗示Aeneid 和其它史詩。像冒險旅行, 它近來開始在一种Olympus, 只有這是胡話領土, 由Flecknoe 統治。鈍澀的垂危的國王尋找一個後繼者並且, 由於他的惡習(好像它) MacFlecknoe (Shadwell) 得到點頭。詩的剩餘顯現出由詩惡習假裝稱讚的樣式"成功" 是失敗並且最輕微的偏差從顯得荒謬的準則是某人的得到詩天分的一個清楚的標誌。"Annus Mirabilis" 向倫敦致敬在瘟疫和巨大火的她的生存(1666), 看回到內戰作為致命調情與宗派主義和批轉對皇家統治的時期"英國的海洋" 和印度新殖民地和亞洲其他地區。"劇烈的詩歌雜文" 被寫了二年在恢復和再開劇院以後, 設法叫英語對會採取最佳伊麗莎白女王詩傳統並且Jacobean 詩人的新感覺和灌輸它以新古典主義的平衡、清晰, 和深度感覺。壞詩人他的批評從Metaphysicals, 開始他定義由他們的最臭名遠揚的例子, 約翰・克利夫蘭。異乎尋常, Donne 和赫伯特居住於他們的similes 和隱喻的Mannerist 圖像能成為激怒和極大地分散當由詩人使用以較少技巧和較不嚴肅的意圖。他譴責的另一類詩人是愚鈍的, 影響古典平衡對缺點, 做計數音節他們的主要職業而不是表示高尚的情緒。這怎麼Dryden 瞭解"工作" 是作者並且怎麼影響他嚮其它詩人運用在他的批評的標準?

    Source(s): 自己
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